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9 thoughts on “ Rubadub Shakdown - Rusko - O.M.G.! (CD, Album)

  1. But by far the biggest thing on Rusko's resume is his production of four tracks on the new M.I.A. album. "O.M.G.!" is a dream mix of bass heavy dubstep with US Urban sounds as well as the exciting in the mix of sounds just called "UK Bass Music"/5(19).
  2. Rubadub Shakedown Lyrics: En i's done taking a shower / Put a mic stand, put a mic stand / Put a mic stand, tell 'em tell 'em / Accomplish it, accomplish it, accomplish some kind of start / Until.
  3. Sep 30,  · The rest of the album, however, is Rusko playing with the rules and seeing what he can come up with. A couple of tracks aren't even dubstep at all – "Rubadub Shakedown" with Rod Azlan is Rusko's contribution to the new wave of dancehall (fitting in nicely with the likes of Toddla T and Major Lazer) and "Kumon Kumon" is a likeable slab of nu /5().
  4. Jul 02,  · Rusko; O.M.G.! Mad Decent • He bounces between the laid-back digital dub of "Rubadub Shakedown" and "District Line", more uptempo and /5.
  5. 1) Christopher Mercer, aka Rusko was born in Leeds in to a musical family. From day one Rusko was surrounded by music. Whether it be his family's pianos, guitars, banjos and saxophones or the heavy reggae and dub sound systems of later years in Leeds, music has always been an integral part of Rusko.
  6. Jul 31,  · Provided to YouTube by Universal Music Group Rubadub Shakedown · Rusko · Rod Azlan O.M.G.! ℗ Downtown Records Released on: Producer: Christopher Mercer.
  7. Not a terrible album by any means, just not the direction I expected rusko to be moving in. I prefer his style from FabricLive and Babylon Vol.1&2. Overall, O.M.G.! features some creative sounds with lots of modern effects (check out "I Love You"), but some of the tracks use a pretty excessive amounts of vocal modulations and keyboard riffs /5(19).
  8. May 08,  · 50+ videos Play all Mix - Rusko - Rubadub Shakedown ft. Rod Azlan FULL HQ YouTube Rusko - District Line [Official Full Screen] - Duration: Mad Decent 8, views.

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